• The story behind "Rock of Ages" and a brief biography of Toplady We gladly accept submissions of high-caliber, academic scholarship. Can fulfill Thy law's demands; The tune's name comes from the author of the text, Augustus Toplady. However, there is now no condemnation to those who are in Christ Jesus, because the law of the Spirit of life has freed us from the law of sin and of death (v. 2). Who will deliver me from this body of this death?" That same year, this hymn was also included in Toplady’s Psalms and Hymns for Public and Private Worship (London: E. & C. Dilly, 1776 | Fig. The crucial line of the original, “When my eye-strings break in death” has been altered as:—. Spiritual Songs for Social Worship (Utica: Hastings & Tracy & W. Williams, 1832). Another translation of the full text (but slightly altered) by Bishop Charles Wordsworth, is in his Series Collectarum . After that date the interest therein grew rapidly until at the present time it is omitted from no hymn-book of merit in the English language. could my zeal no respite know, J.R. Watson, “Rock of ages, cleft for me,” Canterbury Dictionary of Hymnology:http://www.hymnology.co.uk/r/rock-of-ages,-cleft-for-me, “Rock of ages, cleft for me,” Hymnary.org:https://hymnary.org/text/rock_of_ages_cleft_for_me_let_me_hide. ed. Wesleyan Hymn Book, 1830, as above. It is a valuable, classic Christian hymn. Julian, a hymnologist in 19th-century England, declared “Rock of Ages” as one of the most well known of English hymns. "Merit I have none to bring, Please consider white-listing Hymnary.org or, The Cross Before Me (Flexible Piano Medl…, Rock of Ages, cleft for me, Let me hide myself in thee, African Methodist Episcopal Church Hymnal #328, Anglican Hymns Old and New (Rev. "Rupes Saeculorum, te." see thee on thy judgment throne, While we are in His death, He has the position to secrete Himself around our being. An a capella setting of the third stanza (“Nothing in my hand I bring”) is found in “Five Choral Stanzas, Set 2” which may be used as an interlude during congregational singing of this hymn. CCLI, OneLicense, etc). Redemption delivers us from our sinful deeds, and salvation delivers us from our sinful nature. In the October number of the Gospel Magazine, 1775, in an article on "Life a Journey," and signed Minimus (one of Toplady's signatures), the following occurs at p. 474:—. In the Gospel Magazine for March, 1776 (of which Toplady was then the editor), there appeared a peculiar article entitled, A remarkable Calculation: Introduced here, for the sake of the spiritual Improvement subjoined. "Saeculorum, pro me fissa." 735–736. (7.) Guilt is due to our outward sinful deeds and shows that we have received eternal punishment; power refers to the power of the sinful nature within us. Fasham, who spent many years studying the origins of this hymn, including some notable stories and myths (see the bibliography below), believed all available evidence showed it was written between October and December, 1774, in Broadhembury, Devon, England, based on Toplady’s very limited use of the signature “Minimus” during this period. The old tunes are more solemn. This song, very wonderful. The name REDHEAD 76 comes from the composer's last name and the tune's position as number 76 in the original publication. 4. History of Hymns: "Rock of Ages, Cleft for Me", "Rock of Ages, Cleft for Me" These changes include:— This version of the text incorporates the alterations from Cotterill’s Selection (1814, see Fig. The hymn "Rock of Ages, Cleft for Me" (Hymns, #1058) is a good Christian song. Romans 5:10 speaks of the two aspects of God's deliverance from sin: "If we, being enemies, were reconciled to God through the death of His Son, much more we will be saved in His life, having been reconciled." In his Psalms & Hymns, 1776, No. W. E. Gladstone . K.L. . . let me hide myself in thee; (1.) Then comes the hymn, “A living and dying prayer for the holiest believer in the world,” in four stanzas of six lines. Let me hide myself in Thee! J. Ithel Jones, et al., “Rock of ages,” The Baptist Hymn Book Companion, rev. These two versions are both well-known. Reformation Sunday, Year A - Lectionary Planning Notes, There Is Now 2 Not the labors of my hands can fulfill thy law's demands; could my zeal no respite … Pray afresh to God, who is able to raise you up, and set you on your feet again. The helplessness of man and the Saving Gospel of Jesus Christ beutifully composed. After getting angry, they condemn themselves for being wretched, and they wonder who can save them. Make those words of the apostle, your motto: 'Perplexed, but not in despair; cast down, but not destroyed.'". #15, Alexander's Gospel Songs No. His statement is:—. In the United States, the most common tune setting for “Rock of ages” is TOPLADY by Thomas Hastings (1784–1872), first printed in Spiritual Songs for Social Worship (Utica: Hastings & Tracy & W. Williams, 1832 | Fig. In the Dictionary of Hymnology, John Julian cites the 1775 article “Life a Journey,” in which Toplady first published the first stanza of “Rock of Ages.” The following paragraph preceded the first stanza of the hymn: “Yes, if you fall, be humbled, but do not despair. . There is big joy in me after singing the song. They set their will and pray, but they still lose their temper. For a point-by-point assessment of all the alterations, see Rogal’s 2003 work, listed below. Here the reconciliation to God through the death of His Son points to Christ's redemption, which delivers us from the guilt and condemnation of sin, and the salvation in Christ's life delivers us from the power of sin. Thou must save, and Thou alone." A Collection of Hymns for the Use of the People Called Methodists, with Supplement (London: John Mason, 1830). 337, this text was repeated as "A Prayer, living and dying," with the changes given in italics in st. iv.
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