var settings = cookieSettings[cookieName]; c = c.substring(1); On the world stage, there were follow-up conferences to the Washington Principles and another agreement in 2009, but still no enforcement mechanisms. }); } "It is a once-in-a-lifetime acquisition." // FUNCTIONS As the new film “Woman in Gold,” starring Helen Mirren as the indefatigable Maria Altmann, acknowledges in a brief written prologue before the credits roll, more than 100,000 stolen works of art are still unaccounted for. head.appendChild(link); if (!window.jQuery) loadJQuery(); Woman III is one of a series of six paintings by de Kooning done between 1951 and 1953 in which the central theme was a woman. It is very deserved. Ms. Altmann gets the portrait back. o[this.name] = [o[this.name]]; The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. Reunited with the paintings, Altmann chose to take them back to America, disgusted at the Austrian government’s attitude, despite her early offer to leave them at the Belvedere in return for an acknowledgement of guilt. ‘I had a good time watching the expressions of the judges during the Supreme Court case, particularly Judge [Clarence] Thomas who dozed off for a good part of the hearing. Meanwhile, a new generation, less interested in covering up historical sins, exposed the ways governments, museum officials, dealers and buyers often systematically frustrated attempts to return stolen assets and art to the original owners. Official reports commissioned by both Switzerland and the United States detailed, for example, how the Swiss had reneged on agreements to return hundreds of millions of dollars’ worth of gold stolen by Nazi Germany, while Swiss banks had agreed to a $1.25 billion settlement with Holocaust survivors after being sued for their refusal to return assets deposited for safekeeping during the war. .done(function(data, textStatus, jqXHR) { //hide on mobile phones Altmann escaped from Austria, making her way to Los Angeles with her husband, where she opened a dress boutique. Altmann needed to obtain proof that Adele’s stated wish to leave the paintings to the Belvedere Museum was superseded by the will of Ferdinand (the legal owner), who named his nieces as heirs, and secure a ruling from the United States Supreme Court, permitting her to sue Austria in an American court. } else { ‘She would have settled on that basis and they would have got the gold portrait, but they said, “Nothing doing”. } Then the five works will travel to the Neue Galerie, where "Gustav Klimt: Five Paintings From the Collection of Ferdinand and Adele Bloch-Bauer" will be on view from July 13 through Sept. 18. + '<\/div>' slideInModal('Down'); script.crossorigin = "anonymous"; I couldn't have wished for a better place.". var $email = $form.find('.signup-email'); The film switches between Adele Bloch-Bauer in turn-of-the-century Vienna, the upheaval suffered by the family in the wake of the Nazi occupation of Austria, and Maria’s legal crusade towards the end of her life (she died in 2011). Included in the exhibition will be a display of Adele Bloch-Bauer I, paintings, related drawings, vintage photographs, decorative arts, and archival material. } With new labels for some of its most contested objects the museum is engaging in an important conversation – but has it got the tone wrong? In June 2006 cosmetics magnate Ronald Lauder purchased Portrait of Adele Bloch-Bauer I for $135 million — then the highest price ever paid for a painting — for display in Manhattan’s Neue Galerie, a sale brokered by Christie’s. $modal.find('.form-row').hide(); + '
' At one time the painting, completed 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Earlier this month, an El Greco seized by the Gestapo in 1938 from a Viennese industrialist was returned to his family by a dealer. var ctx = this; + '- +33 877 554 332
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