List of the best Steve Winwood albums, including pictures of the album covers when available. Would love to discuss the songs as well at some point! (20) 2 Years On 7.08 (7.5) Confronted with a “rockist” who dismisses the Bee Gees because they profess to not liking “disco”? From gates to dance-floors, the transformation was stunning. Traffic had disbanded following its eponymous 1968 sophomore record. And Saturday Night Fever loser big time by not being a full Bee Gees album, and, except for that one great Bee Gees side, is practically unlistenable. Travel & Music. All the best. Once again, a couple of excellent songs leftover from the sessions ended up as non-album B-sides. Recommend me some good music based off this list, Great albums that start with the letter "J", Submit your one single choice for the greatest album title ever. Yes, that “epic title track” is truly that. Working with famed Atlantic Records R&B producer Arif Mardin for the first time, Mr Natural was seen as almighty flop when it came out with a peak position of 178 in the US and no traction in the UK. Much ahead of its time with the future sound of the late 70s Jethro Tull. Buried treasure to one side though, a while back I wrote an essay about the genius opening lines of so many Bee Gees songs and there are few better examples than I’ve Gotta’ Get A Message To You with Robin’s, “The preacher talked with me and he smiled / he said come and walk with me / come and walk one more mile”. So let’s spark up that debate once more! Albums like High Civilization and Life In A Tin Can often occupy the bottom couple of slots for many fans and yet I find so much to like (and even love) about both of those. Not only have I debated with other fans, I’ve endlessly debated with myself as to what the absolute finest Bee Gees albums actually were. They could still generate headlines in the British press, but by 1970, they were no longer guaranteed sales. Lamplight begins and ends in eccentric style: a French sung opening over vigorously-strummed guitars with the same melody later sung at the song’s end in English. From the tight melodic funk of the intro (Blue Weaver on a badass synth bass, while seemingly from nowhere Dennis Bryon announces himself as an R&B drummer to be reckoned with), to the unforgettable opening line – “Here we are / in a room full of strangers,” – to the vocal arrangement that has everything from Barry solo, Robin solo, Barry and Robin in harmony to all three in harmony and finally to Barry in his career-defining falsetto ad-libs; songs like this are proof of the artistry that can be in the DNA of popular music. Shape Of Things To Come is pop/rock in the vein of the ESP title track, but is an even stronger song. Subsequently, Steve Winwood joined up with Eric Clapton, Ginger Baker, and Ric Grech for the short-lived supergroup Blind Faith before recording the soul-folk tune “Stranger to Himself” and the rootsy acid-rock ballad “Every Mother’s Son” for what was supposed to be his solo debut. And it was. Winwood, Wood and Capaldi (free from Mason, at last) are on the toppest top of their games here. It doesn’t matter if it’s 1978 or 2018 or 2078, the very greatest songs of Barry, Robin and Maurice Gibb will always move the feet or the heart. Poor Trafalgar is a top 5 album for me on a personal level, but my ratings per song are nearly identical to yours – I’d swap Greatest Man and Don’t Want To Live Inside Myself, give Trafalgar an 8, and Dearest an otherwise unheard of 3 – and it’s….still left down near the bottom on a technical level. March 10, 1988 was the day the Gibb family lost the youngest of their clan, baby brother Andy, aged just 30. If you want to know, "What is the Best Blondie album of all time?" Six years after the record-breaking Saturday Night Fever came a sequel that once again involved a side of brand new Gibb songs. If you did not know that they were a trio nothing in this article would have given a clue that this was not the Barry Gibb show.
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