At the time, historian Gershom Scholem asked Eliade to explain his attitudes, which the latter did using vague terms. [1]. [2]. [236] The notion was in turn linked to Eliade's own thoughts on transcendence, and in particular his idea that, once "camouflaged" in life or history, miracles become "unrecognizable". [212] Also, there has been mention of his tendency to ignore the social aspects of religion. Im Vorwort von Komsos und Geschichte benennt er selbst das Hauptthema seiner Forschung als Selbst- und Weltverständnis des Menschen in archaischen Gemeinschaften. [6] Mircea Eliade's nephew and commentator Sorin Alexandrescu himself proposed that Eliade's politics were essentially conservative and patriotic, in part motivated by a fear of the Soviet Union which he shared with many other young intellectuals. He would later find a house in Cascais, at Rua da Saudade. Mircea Eliade (9. března 1907, Bukurešť – 22. dubna 1986, Chicago) byl rumunský religionista, historik a filosof náboženství, spisovatel, esejista, kritik, profesor a také diplomat fašistického Rumunska (1940–1944), od roku 1966 naturalizovaný Američan. [5][6] His family moved between Tecuci and Bucharest, ultimately settling in the capital in 1914,[2] and purchasing a house on Melodiei Street, near Piața Rosetti, where Mircea Eliade resided until late in his teens. "[241] In one episode of the book, Anicet convinces Anișoara Lecca to gratuitously steal from her parents—an outrage which leads her mother to moral decay and, eventually, to suicide. Guilford Dudley verteidigt Mircea Eliade ebenfalls und meint es sei weder möglich noch nötig ihn gegen den Vorwurf der Ahistorizität zu verteidigen, sondern man müsse einsehen, dass er kein Historiker im üblichen Sinne sei. [8][9] Recalling his entrance into a drawing room that an "eerie iridescent light" had turned into "a fairy-tale palace", he wrote, I practiced for many years [the] exercise of recapturing that epiphanic moment, and I would always find again the same plenitude. Eliade believes the rise of materialism in the 19th century forced the religious nostalgia for "origins" to express itself in science. Details zum Tracking finden Sie in der Berner, Ulrich (1997). He claims that Platonism is the "most fully elaborated" version of this primitive ontology. [137] Eliade defines a shaman as follows: he is believed to cure, like all doctors, and to perform miracles of the fakir type, like all magicians [...] But beyond this, he is a psychopomp, and he may also be a priest, mystic, and poet. [194] Ellwood claimed that the three mythologists were "modern gnostics through and through",[195] remarking, Whether in Augustan Rome or modern Europe, democracy all too easily gave way to totalitarianism, technology was as readily used for battle as for comfort, and immense wealth lay alongside abysmal poverty. "[229], Many of Mircea Eliade's literary works, in particular his earliest ones, are noted for their eroticism and their focus on subjective experience. Thus, all these sacred trees are thought of as situated at the Centre of the World, and all the ritual trees or posts [...] are, as it were, magically projected into the Centre of the World. Auch wenn es als monumentales historisches Buch betrachtet werden kann, blieb doch die Meinung vorherrschend, dass er eben kein Historiker, sondern ein Religionsphänomenologe oder Vertreter der vergleichenden Religionswissenschaft gewesen sei. [44], Eliade was especially dissatisfied with the incidence of unemployment among intellectuals, whose careers in state-financed institutions had been rendered uncertain by the Great Depression. Only yids are capable of the blackmail of putting women and children in the front line, to take advantage of the Germans' sense of scruple. They were published sporadically, and covered various stages of his life. [184], Eliade argues that a Western spiritual rebirth can happen within the framework of Western spiritual traditions. [49] He won the trial, and regained his position as Nae Ionescu's assistant. When Eliade began coughing blood in October 1938, he was taken to a clinic in Moroeni. [20], Eliade received his PhD in 1933, with a thesis on Yoga practices. [243] Matei Călinescu did not reject Culianu's version, but argued that, on its own, the piece was beyond political interpretations. Dort lebte Mircea Eliade drei Jahre, bis er 1931 nach Bukarest zurückkehrte; 1940 wurde er zum Kulturattache bei der königlichen Gesandtschaft Rumäniens in … [90] Around the sacred Center lies the known world, the realm of established order; and beyond the known world is a chaotic and dangerous realm, "peopled by ghosts, demons, [and] 'foreigners' (who are [identified with] demons and the souls of the dead)". History of Religions lehrte. Instead, it means that religious behavior "says through its own language" that the world is as homo religiosus would see it, whether or not the real-life participants in religious behavior are aware of it. M. L. Ricketts discovered and translated into English a previously unpublished play written by Mircea Eliade in Paris 1946 Aventura Spirituală ('A Spiritual Adventure'). [87] However, Ellwood writes that Eliade "tends to slide over that last qualification", implying that traditional societies actually thought like homo religiosus. [13], As a child, Eliade was fascinated with the natural world, which formed the setting of his very first literary attempts,[3] as well as with Romanian folklore and the Christian faith as expressed by peasants. On the contrary, in Hinduism historical human existence is not the "absurdity" that many Continental philosophers see it as. When God is born as a man, into the stream of history, "all history becomes a theophany". [217] After the 1960s, he, together with Evola, Louis Rougier, and other intellectuals, offered support to Alain de Benoist's controversial Groupement de recherche et d'études pour la civilisation européenne, part of the Nouvelle Droite intellectual trend. [188] According to Eliade, "Christianity strives to save history". "Legion des Erzengels Michael" bzw. [7], Eliade's fantasy novel Domnișoara Christina, was, on its own, the topic of a scandal. "[126], However, Eliade disagrees with Wilhelm Schmidt, who thought the earliest form of religion was a strict monotheism. [149] He described "personalities" as characterized by both "purpose" and "a much more complicated and dangerous alchemy. [20], Eliade's Iphigenia was again included in theater programs during the late years of the Nicolae Ceauşescu regime: in January 1982, a new version, directed by Ion Cojar, premiered at the National Theater Bucharest, starring Mircea Albulescu, Tania Filip and Adrian Pintea in some of the main roles. .412–413; partially in the. Dazu zählen Die Religionen und das Heilige sowie Kosmos und Geschichte. Historian Irina Livezeanu proposed that the respect he enjoys in Romania is matched by that of other "nationalist thinkers and politicians" who "have reentered the contemporary scene largely as heroes of a pre- and anticommunist past", including Nae Ionescu and Cioran, but also Ion Antonescu and Nichifor Crainic. Born in Bucharest, he was the son of Romanian Land Forces officer Gheorghe Eliade (whose original surname was Ieremia)[2][3] and Jeana née Vasilescu. Von 1928 bis 1931 studierte er u.a. [1] One of his most instrumental contributions to religious studies was his theory of eternal return, which holds that myths and rituals do not simply commemorate hierophanies, but, at least to the minds of the religious, actually participate in them.[1]. [7] In the former, a company of beetle spies is sent among the red ants—their travel offers a setting for satirical commentary. [238], Allan himself stands alongside Eliade's male characters, whose focus is on action, sensation and experience—his chaste contacts with Maitreyi are encouraged by Sen, who hopes for a marriage which is nonetheless abhorred by his would-be European son-in-law.
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