[9] In February 2013 it was announced that the film, directed by Shawn Levy, would be released on December 25, 2014. But then comes the movie's exceptionally clever and fresh final act, which delivers genuine surprise along with many laughs. 2 – Friday B.O. Use the HTML below. Only his father the Pharaoh knows the Tablet's secrets. He added, "A most enjoyable capper to director Shawn Levy and producer Chris Columbus' cheerfully silly and sneakily smart family-entertainment juggernaut... offers little in the way of secrets of surprises, but should add much holiday cheer to Fox's box-office coffers. Club gave the film a C+, saying "Secret of the Tomb plays it as a source of corny jokes, pop-culture references, and father-son bonding moments. Cecil explains that Ahkmenrah's parents, Merenkahre and Shepseheret, may be able to restore the tablet's power but that they are located in the British Museum. One year after Kevin McCallister was left home alone and had to defeat a pair of bumbling burglars, he accidentally finds himself stranded in New York City - and the same criminals are not far behind. Lancelot steals the tablet, mistaking it for the Holy Grail, and prepares to leave for Camelot. [31][32][33][34] The film expanded to an additional 40 markets in its second week and grossed $31.2 million. Three years later, Larry, having taken the blame for the planetarium incident, thus giving McPhee his job back, now works as a school teacher, and a traveling British Museum exhibit comes to New York. Once we get to the London museum, more exciting things come alive, in the form of another CGI fossil, a mythical snake demon made of metal, and the warrior with golden locks Lancelot (Dan Stevens). "[49] Stephen Whitty of the Newark Star-Ledger gave the film two out of four stars, saying "The exhibits in this Night at the Museum may still come to life nightly. "[56] Drew Hunt of Slant Magazine gave the film one out of four stars, saying "None of the entries in the Night at the Museum series could ever pass for high art, but a wealth of comedic talent gave the first two installments a madcap energy that somewhat forgave their childish premises. Likes: One thing I have always liked with this series is the selection of exhibits they choose to bring to life, and the integration of their personalities. But its third installment is more meh than manic, too reliant on wide shots of the ragtag Museum of Natural History cohorts striding down corridors. An eight-year-old troublemaker must protect his house from a pair of burglars when he is accidentally left home alone by his family during Christmas vacation. rcs0411@yahoo.com, Another day, another sequel and this one is unfortunately another kids movie that shouldn't have seen the light of day. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Release Dates Manny, Diego, and Sid embark upon another adventure after their continent is set adrift. Night at the Museum: Secret of the Tomb grossed $113.7 million in North America, and $249.5 million in other territories, for a worldwide total of $363.2 million against a budget of $127 million. This is the case for this past weekend's release starring the ever wacky Ben Stiller and his posse of celebrities. Looking for some great streaming picks? Title: ", "Box Office: 'The Hobbit' Rules Them All With $90.6 Million", "Weekend Report (cont. [30], The film began its international rollout the same weekend as the North American premiere and earned $10.4 million from 27 markets in its opening weekend, debuting at #3 behind at the box office behind The Hobbit: The Battle of the Five Armies and Penguins of Madagascar. Technical Specs, See agents for this cast & crew on IMDbPro, Neanderthal #1 He takes Ahkmenrah with him but some of the others tag along, like Teddy Roosevelt, Attila, … Night at The Museum 3 - Hugh Jackman Scene (1080p) - YouTube Oh sure it's cute, but Hollywood needs to learn that more isn't necessary funnier, in fact it's the opposite. [17] Shooting took place outside the British Museum in London, England, as well as on a sound stage at the Vancouver Film Studios in Vancouver, British Columbia for scenes taking place inside the museum. Afterwards, Larry catches his son Nick, who plans on taking a gap year to sort out his life, throwing a house party. Worth a trip to the theater? Larry Daley, nouveau gardien du musée d'histoire naturelle de New York, découvre que tous les squelettes, animaux empaillés et statues de cire s'animent durant la nuit : Attila, Sacagawea, Theodore Roosevelt, Christophe Colomb, Lewis et Clark, les cow-boys, les soldats romains (dont le général Caius Octavius), les soldats de la guerre de Sécession, les Mayas, les hommes de Néandertal, un … A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker. [6] On December 18, 2013, it was announced that Stiller, Robin Williams, and Ricky Gervais would be returning for the sequel. (2014). Manny, Sid, and Diego discover that the ice age is coming to an end, and join everybody for a journey to higher ground. Now past funny, this Night at the Museum has another emotional side to it, helping to teach the moral lesson of moving on in the magical theatrical way. "[42] Glenn Kenny awarded the film 2½ stars out of 4 praising the Indiana Jones themed-set while criticizing the performances of the cast and said, "As talent-packed as any Night at the Museum picture may be—in this third installment... —one doesn't come to a movie of this sort expecting anybody's best work. I can't answer it either, but sadly it took away from the movie. [12] On January 9, 2014, it was announced that Rebel Wilson would play a security guard in the British Museum. At the Museum of Natural History, there's a new exhibit being unveiled. key makeup effects supervisor: Maestro Studio FX, Inc. special makeup effects artist (uncredited), special makeup effects coordinator (uncredited), unit production manager: New York (as Raymond Quinlan), unit production manager (as Anne Simonet), first assistant director: second unit (as Matthew Dunne), second second assistant director: New York (as Deanna Leslie Kelly), second second assistant director (as Daniel Mansfield), third assistant director: second unit (uncredited), additional first assistant director (uncredited), second assistant director: second unit (uncredited), construction coordinator: New York (as Joseph Alfieri Jr.), key construction grip: New York (as Steven Fratianni), property master: New York (as Robert Griffon), storyboard artist (as Michael A. Jackson), art department production assistant: New York (as Jojo L. Li), assistant property master: New York (as John B. 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Hues (as Vinod Dayanand Gaitonde), technical animator: Rhythm & Hues (as James Gordon), visual effects lead: Rainmaker (as Geoff Hancock), software and technology: Rhythm & Hues Studios, compositor: Rhythm & Hues (as John Harvey), technical animation lead: Rhythm & Hues (as Todd Hill), scan/record operator: Rhythm & Hues (as Phillip Holland), modeler: Rhythm & Hues (as Kenny Shih Chiang Huang), modeler: Rhythm & Hues (as Jason Shih Hao Huang), production coordinator: Rhythm & Hues (as Pete Jervis), lighter: Rhythm & Hues (as VS Kiran) / lighting td, sequence supervisor: Rhythm & Hues (as Dave Lauer), character rigger: Rhythm & Hues (as Matt Leishman), render coordinator: Rhythm & Hues (as Frederick Lemaster), lighting supervisor: Rhythm & Hues Studios, senior systems administrator: Rhythm & Hues, pre-lighter: Rhythm & Hues (as Mary Lynn Machado Killeen), matte painter: Rhythm & Hues (as Rich Mahon), texture painter: Rhythm & Hues (as Tim Matteny), second assistant dmr editor (IMAX version), character rigger: Rhythm & Hues (as Gavin McMillan), compositor: Rhythm & Hues (as Doug Miller), visual effects coordinator (as Michael Miller), animation layout: Rhythm & Hues (as Chris Mills), visual effects lead: Rainmaker (as Marta Knapik), compositor: Rhythm & Hues (as Sheila Woodford), inferno artist: Lola Visual Effects (as Chris Moore), effects technical director: Rhythm & Hues (as Nikki Makar), lighter: Rhythm & Hues (as Rodian Paul Kubelec), effects technical director: Rhythm & Hues Studios (as Joseph Phoebus), technical animation supervisor: Rhythm & Hues, matte painter: Rhythm & Hues (as Richard Rische), visual effects supervisor: Rainmaker (as Randall Rosa), production coordinator: Rhythm & Hues (as Matt Russell), senior software engineer: Rhythm & Hues (as Marty Ryan), visual effects assistant editor (as Linda Sundlin), assistant production manager: Rhythm & Hues (as Stacey Shear-Riera), technical animator: Rhythm & Hues (as Andy Silvestri), lighting supervisor: Rhythm & Hues (as Juck Somsaman), look development supervisor: Rhythm & Hues, animator: Rhythm & Hues (as Sachin Suryawanshi), senior animation supervisor: Rhythm & Hues, compositor: Rhythm & Hues (as Bridget Taylor), digital effects supervisor: Rhythm & Hues, pipeline technical director: Rhythm & Hues (as Josee Tobiska), effects technical director: Rhythm & Hues (as Scott Townsend), compositor: Rhythm & Hues (as Kamalakanna Vairakannu), second assistant dmr editor: IMAX version, technical animator: Rhythm & Hues (as Richard Van Cleve), lighter: Rhythm & Hues, India (as Vishal Parikh), pre-lighter: Rhythm & Hues (as Daniel Weber), rotoscope/background prep artist: Rhythm & Hues (as Diana Wells), digital compositor: Rhythm & Hues (as Annie Wong), matchmove lead: Rhythm & Hues India (uncredited), educator: Rhythm & Hues (uncredited) / technical animator: Rhythm & Hues (uncredited), visual effects gaffer: Cinema Production Services (uncredited), lighter: Rhythm & Hues (uncredited) / texture painter: Rhythm & Hues (uncredited), matchmove technical director (uncredited), lead character technical director (uncredited), look development supervisor: Rhythm & Hues (uncredited), digital compositor: Method Studios (uncredited), technical animator: Rhythm & Hues, India (uncredited), matchmove technical director: Rhythm & Hues (uncredited), texture painter: The Orphanage (uncredited), digital archivist: New Deal Studios (uncredited), creature department manager: Weta Digital (uncredited), inferno assistant: Rhythm & Hues (uncredited), texture painter: Weta Digital (uncredited), editorial supervisor: The Orphanage (uncredited) / post production supervisor: The Orphanage (uncredited), director of visual effects technical operations: Rainmaker (uncredited), texture painter: Rhythm & Hues (uncredited), animation supervisor: The Orphanage (uncredited), systems/operations: Rhythm & Hues (uncredited), digital compositor: Rainmaker (uncredited), character animator: Rhythm & Hues (uncredited), resource manager: The Orphanage (uncredited), matchmove technical director: Rhythm & Hues, India (uncredited), miniatures motion control camera operator (uncredited) / motion control: Cinema Production Services (uncredited), matchmove supervisor: The Orphanage (uncredited), match move technical director (uncredited), digital associate producer: The Orphanage (uncredited) / visual effects associate producer: The Orphanage (uncredited), motion capture editor: Giant Studios (uncredited), visual effects executive producer: New Deal Studios Inc. (uncredited), character technical director: Rainmaker (uncredited), digital artist (modeling technical director) (uncredited), visual effects coordinator: The Orphanage (uncredited), digital production coordinator (uncredited), resource department manager: The Orphanage (uncredited), digital effects compositor: Pacific Title (uncredited), lighting research and development (uncredited), senior lighting technical director (uncredited), prop fabricator: New Deal Studios Inc. (uncredited), production operations manager: the orphanage (uncredited), visual effects producer: Cinema Production Services (uncredited), rotoscope artist: Rhythm & Hues, India (uncredited), miniature effects coordinator: Cinema Production Services (uncredited), model shop supervisor: Cinema Production Services (uncredited), technical animator: Rhythm & Hues (uncredited), visual effects executive: Fox (uncredited), principal developer: Rainmaker (uncredited), digital film i/o technician: Rainmaker (uncredited), matchmove artist: The Orphanage (uncredited), rotoscope artist: The Orphanage (uncredited), production operations manager: The Orphanage (uncredited), character rigging supervisor (uncredited), background preparation artist (uncredited), Lidar supervisor: Lidar Services (uncredited), digital visual effects production manager: India (uncredited), visual effects director of photography: Cinema Production Services (uncredited), digital artist: The Orphanage (uncredited) / technical director: The Orphanage (uncredited), modeler: Rhythm & Hues, India (uncredited), executive producer: Image Engine (uncredited), chief matte painter: Cafe-FX (uncredited), motion capture technical supervisor: Giant Studios (uncredited), visual effects supervisor: Sandbox F/X (uncredited), digital compositor: Pacific Title (uncredited), creature modeler: Rhythm & Hues (uncredited), visual effects producer: Rainmaker (uncredited), lighting technical director: Rhythm & Hues, India (uncredited), animation layout: Rhythm & Hues Studios, India (uncredited), visual effects producer: Sandbox (uncredited), pre visuals production assistant (uncredited), visual effects first assistant camera: Cinema Production Services (uncredited), paint/roto artist: Rhythm & Hues Studios (uncredited), roto/paint supervisor: The Orphanage (uncredited), roto/paint artist: The Orphanage (uncredited), visual effects editor: The Orphanage (uncredited), senior digital compositor: Rainmaker (uncredited), visual effects production manager: Rhythm & Hues (uncredited), pipeline technical director: Rhythm & Hues (uncredited), visual effects supervisor: Weta Digital (uncredited), digital production manager: Rhythm & Hues, India (uncredited), lead animator: Rhythm & Hues (uncredited), visual effects coordinator: Rhythm and Hues India (uncredited), visual effects associate producer (uncredited), visual effects: Cinema Production Services (uncredited), digital compositor: Rhythm & Hues (uncredited), model supervisor: Cinema Production Services (uncredited), animation layout: Rhythm & Hues (uncredited), digital lighting artist: Rhythm & Hues (uncredited), pre-visualization coordinator: Image Engine (uncredited), background prep artist: Rhythm & Hues (uncredited), matchmove/roto coordinator: The Orphanage (uncredited) / visual effects department coordinator: The Orphanage (uncredited), stunt actor: railroad worker (as Rob Boyce), stunt department coordinator / stunt performer / stunt safety, stunt actor: Railroad Worker (as Kimberly Chaing), stunt double (as Gregory James Fitzpatrick), stunt coordinator: stage coach unit (as Cory Glass), second assistant camera: "b" camera, New York, lead setwire / set wireman (as Keith Brookes), camera operator: "b" camera (as Glen Dickson), second assistant camera: "a" camera, New York, camera operator: "b" camera, New York / steadicam operator: New York, focus puller: "a" camera (as Timothy Kane), first assistant camera: "b" camera, New York (as John R. 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Dwight Raymond IV), post-production coordinator: Modern VideoFilm (uncredited), digital intermediate assistant producer: Efilm (uncredited), post-production assistant: Modern VideoFilm (uncredited), location production assistant: IT, New York (as Nicholas Carr), location assistant: New York (as Matthew E. Kania), location production assistant (uncredited), digital score recordist (as Michael Atwater), score mixer (as Dennis Sands) / score recordist (as Dennis Sands), transportation co-captain: New York (as Peter J. Clores), transportation office coordinator: New York, transportation coordinator (uncredited) / transportation coordinator: Los Angeles (uncredited), assistant: Mr. Stiller (as Daniella Wells), clearance coordinator / product placement coordinator.
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