Please Like other favourites! after Unknown artistline engraving, probably 18th century5 7/8 in. Daniel Allar es Rooter. Your contributions must be polite and with no intention of causing trouble. Look right round a selection of sculptures in our Collection, Explore who is who in our group portraits, National Portrait Gallery, St Martin's Place, London, WC2H 0HESwitchboard: +44 (0) 20 7306 0055, Find out more about the Inspiring People project, National Portrait Gallery, St Martin's Place, London, WC2H 0HE Not only do these two characters help to explain how Hal becomes the King he does in Henry V, they also justify the actions he takes as a King, actions that might have seemed questionable and rash without the context of Henry IV. Switchboard: +44 (0) 20 7306 0055, You must have Javascript enabled to view zooming images, We are currently closed until spring 2023, while essential building works take place, Fleming Collection: Fleming's Granger (volume 1), Making History: Printed Portraiture in Tudor and Stuart Britain, Return to Life: A New Look at the Portrait Bust, Restoration Lives: Samuel Pepys and His Circle, Bank of America Merrill Lynch, Art Conservation Project. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind. Alfred Prufrock”: The Affairs of Society, Equality in “The Wound-Dresser” and “Song of Myself”, A Portrait of Henry V As The Amalgamation of Hotspur and Falstaff. It is in this context that he is first mentioned in the play by Westmorland, who narrates that Hotspur has won back Holmedon and taken multiple prisoners (1.1. The King announces war with France in part because the money-seeking Canterbury and Exeter advise him to do so. Similarly, Henry needs to make his friends Nim and Bardoff face justice, as he cannot have any remaining connections with his previous world. As an example, Hotspur tries to bargain with the King for his prisoners against a ransom to get back his brother-in-law, Mowbray (1.3). King Henry V. by Unknown artist oil on panel, late 16th or early 17th century 28 1/2 in. Unlike many of Shakespeare’s antagonists, Hotspur is never portrayed as evil, but rather shown in a complimentary light. Falstaff, present in both parts of Henry IV, is depicted as a fat, old, and disorderly man. Please note that we cannot provide valuations. x 16 1/8 in. x 4 in. Can you tell us more about this portrait?
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