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gregory crewdson artist statement

Some expected wear and surface dust debris, a few small surface scratches near center, but overall in good to very good condition, wear commensurate with age. (Recently, he replaced his 8 by 10 large-format film camera with a Phase One digital camera, which, he says, has “100 or 200 times the definition.”) “I’m not comfortable holding the camera even,” he said. The Institute of Modern Art, Brisbane, Australie ; City Gallery Wellington, Wellington, Nouvelle-Zélande Ces récits névrotiques l’ont poussé à faire des photographies qui sont à mi-chemin entre cinéma fantastique et série télévisée et qui évoquent la face noire du rêve américain. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. Gregory Crewdson est un photographe américain connu pour ses mises en scène de banlieues à l’inspiration cinématographique et à l’effet dramatique. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale. “On a daily basis we would see O.D.’s,” Mr. Crewdson said. gelatin silver print Gregory Crewdson creates meticulously staged landscapes that exaggerate the post-industrial desperation of small-town America, Last modified on Tue 22 Sep 2020 05.51 EDT. In suburban settings or on elaborately detailed sets of American homes, interiors, and neighborhoods, Gregory Crewdson stages haunting, cinematic photos of alienation and eerie quietude. Concurrently, but from more of a pop-culture vantage point (referring to Hitchcock, for instance, rather than Delacroix and Manet), Cindy Sherman’s “Untitled Film Stills” demonstrated the capability of the constructed photograph to express an artist’s personal obsessions and (in her case) feminist concerns. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. The colors remain bright and saturated, with no apparent fading. He will contact businesses and authorities and ask them not to mow the verges or collect the rubbish for a while. Gregory Crewdson is a creature of habit. chromogenic print, flush-mounted to aluminum, framed, a signed, dated, and numbered artist’s label on the reverse, 1997, no. Gregory Crewdson Twilight, White Cube, Londres, Royaume-Uni Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. Estimate: So the fascination never faded. I asked them not to pave any streets, cut any grass. 2005, loc. Life and career. Lot 44: Gregory Crewdson - Production Still. modifier - modifier le code - modifier Wikidata. This section needs additional citations for verification. Beneath the Roses, Gagosian, Los Angeles, États-Unis L’ensemble de la mise en scène est confié à une armée de décorateurs, de maquilleurs, d’éclairagistes et de stylistes[1]. The lot is sold in the condition it is in at the time of sale. Digital print Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. From the numbered edition of 20 Signed and numbered in ink on recto Provenance: Gagosian Gallery, Beverly Hills, CA, tag on verso, Estimate: Gregory Crewdson, Ginza Ar Space, Shiseido Co., Tokyo, Japon The idea came to Mr. Crewdson when he found the vaults in an abandoned site. 2007 1962) Production Still (Forest Gathering 31). £1,500 - £2,000. Estimate: Gregory Crewdson : Photographs, SITE Santa Fe, États-Unis “It’s weird how all my pictures have taken on a new meaning,” he said. Signed and numbered 1/10 on the label on the verso of the mount. Gregory Crewdson, White Cube, Londres, Royaume-Uni 48 x 60 in. Description: 1999 21, pp. Chromogenic print, dry-mounted to perspex. It was the first studio visit since the pandemic lockdown in March, and Mr. Crewdson, 57, a stocky, affable man, looked relaxed in a T-shirt and shorts. Description: Estimate: Description: Gregory Crewdson In a masked interview last month in his Great Barrington studio, adjacent to the deconsecrated 1890 Methodist church where he lives, he and Juliane Hiam, his studio manager and romantic partner, hung his prints, which are more than seven feet wide and four feet high, one by one on the wall. “There’s always an unconscious connection between my life and my work,” he said. Fonds régional d'art contemporain Auvergne, Museo Nacional Centro de Arte Reina Sofia, https://fr.wikipedia.org/w/index.php?title=Gregory_Crewdson&oldid=169541217, Étudiant de l'université d'État de New York à Purchase, Article de Wikipédia avec notice d'autorité, Page pointant vers des bases relatives aux beaux-arts, Portail:Biographie/Articles liés/Photographie, Portail:Biographie/Articles liés/Culture et arts, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Condition Report: EXHIBITIONS For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. He calls the series – huge pictures, seven feet across – An Eclipse of Moths after the effect of a swarm of insects around an outside lamp, that causes the light to dim. In the current locked-down world, which is hollowed out by economic collapse and fragmented by fear of contagion, Mr. Crewdson’s overwrought images seem like faithful representations of our frazzled psychological state.

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